It is Byeong-Heon’s dream to become a film director. He starts to write scenarios to debut after quitting his production team due to his trouble with the assistant director. A television production team starts to film his daily life and preparation for a documentary film, but he turns out to be the epitome of laziness. He drinks every single day; it takes longer than 8 hours for him to wake up and get his computer to boot; for over an hour, all he does is to come up with the title and the right font design; and he returns to pubs. Beom-Su, who is ahead of his debut as a production director, Seung-Bo, who is also yet to debut as a cinematographer, and Young-Hyeon, an actor who had never had a major role yet, all wrangle over cheap alcohol every other night. Not only that, Byeong-Heon visits his ex-wife and the 2-year-old daughter and makes a mess every time he gets drunk. So the production team loses their interest and ends up calling for an emergency meeting.
Douglas Fairbanks spared no expense for what may be the most lavish fantasy movie ever made. Inspired by the flying-carpet effects of Fritz Lang's somber but spectacular Der Müde Tod, Fairbanks (ever the canny businessman) bought the American rights, then hid the film away as he created his own show-stopping adventure, an adaptation of A Thousand and One Nights in which the magic-carpet ride was but one of many fantastic marvels. Swaggering through massive marketplace sets and cavernous throne rooms as an incorrigible thief and pickpocket, he scales towering walls (with the help of a magic rope) and leads a merry chase through crowded bazaars in his pursuit of loot--until he falls in love with the beautiful princess and vows to win her heart. This jaunty opening is but mere preamble to the spectacular second act. As three kings scour the globe to retrieve the rarest treasures known to man, the repentant thief embarks on an odyssey through caverns of fire and underwater caves. The marvelous special effects--from the smoke-belching dragon and underwater spider to the flying horse and magic armies arising from the dust--may show their seams but glow with a timeless sense of wonder. William Cameron Menzies's magnificent sets appear to have leapt from the pages of a storybook. As the adventure concludes in a torrent of movie magic that cascades nonstop through the breathless final hour, Fairbanks commands the screen with a hearty laugh and graceful athleticism, the cinema's first action hero triumphant. Kino's restored edition is tinted and features an organ score by Gaylord Carter. --Sean Axmaker